Emily Cong

Meet Emily Cong

Chartered Accountant

Emily Cong is a chartered accountant who has lived in the UK for over fifteen years, eight of which have been spent in Belfast.

Through Bridges to China, Emily shares her personal connection to Chinese objects in the Ulster Museum, alongside a set of yi jiao RMB notes she received from her grandmother. Her stories centre on family values and intergenerational relationships in Chinese culture. For Emily, love and memory span generations, serving as a bridge between past and present, and between Chinese and Ulster cultures.

Watch Emily's Story

https://youtu.be/7sgBVVDp31k

Video also available on Panopto

The Timer, the Bodhisattva and RMB

I have been in the UK for over fifteen years, and I have lived in Belfast for eight of those years. Belfast has truly become my home. Going back to China each year has turned into a long haul journey. Rushing through airports, catching flights, being picked up and seen off by my parents—between departures and arrivals, time always feels both the most precious and the shortest. That’s why when I saw the Sundial in the Ulster museum, it reminded me about rushing through the airports and counting the hours for the flight journey every time I go back to China.

Every year, I’m really looking forward to going back to China to reunion with family and friends. I was born in late 1980s. When I was young, the country was developing at a high speed, and people found opportunities almost everywhere. In my memories, my parents were always very busy, so I spent a large part of my childhood with my grandparents. The most delicious dishes in my memory are the noodles my grandma外婆 made and the mixed vegetables cooked by my other grandma奶奶. My grandma believes in Buddhism and there was always a statue of Guanyin at home. My grandma would worship the Buddha on all important festivals and events. This is why when I saw the Buddha in the Ulster museum, although it’s different because it’s Sino-Tibetan style, but it still looked very familiar.

My grandma likes to collect coins and paper money. I remember visiting her home during Chinese New Year when I was little—she would always slip some pocket money to her grandchildren. This set of yi-jiao RMB notes was something she specially collected and gave to me, because it was issued and put into circulation in the year I was born. Not just for me—my grandma remembered the birthday of every single grandchild, so everyone received something specially chosen from her collection. Most of her collection consisted of coins that were not worth much monetarily, but held great sentimental value. It was much like everything she did for her children and grandchildren—given on ordinary days, through small things, day by day, year after year. Yet these are the most beautiful parts of our childhood memories.

Thank you to Bridges to China project for giving me the opportunity to reflect on my connections with my families in China and to write something in gratitude and in remembrance of my grandma.

by Michael Avila

Sylvia Yue & Sau Ling Li

Meet Sylvia & Sau Ling

Teacher

Sylvia Yue’s contribution to Bridges to China centres on a traditional Chinese baby sling used by her mother when she was an infant. Embroidered with Chinese characters meaning 'happy child' or 'blessed child', the sling carries her parents’ hopes and wishes for her life. Passed down through generations and later used to carry Sylvia’s own son, the object reflects themes of care, continuity and the transmission of love and blessings within family life.

She also has a really cool Mum, Sau Ling Li.

Watch Sylvia's Story

https://youtu.be/3S8CkoNh3gc

Video also available on Panopto

Mumories

Mum

I remember using this baby sling to carry my daughter on my back until she was about two years old. It was a gift from my mother-in-law and it quickly became part of my daily life. The sling was practical and comfortable and it reflected traditional Chinese wisdom, allowing me to keep my daughter safe and close while still freeing my hands for housework.

I kept the sling for many years and later passed it on when my grandson was born in Northern Ireland. For me, it carries my love and blessings for my family. I hope it can continue to be passed down, connecting generations through care, memory and affection.

Daughter

by Michael Avila

Ri Fang Hao

Meet Dr. Ri Fang Hao

Doctor, Traditional Chinese Medicine

Dr. Ri Fang Hao’s contribution explores the deep cultural, historical and symbolic significance of the Chinese guardian stone lion. Drawing on mythology, Buddhism, folklore and architectural tradition, she reflects on how these sculptural figures have evolved from exotic symbols introduced through the Silk Road into powerful guardians of homes, institutions and communities. Through these objects, Ri Fang Hao highlights the enduring role of guardian lions as protectors, status markers and carriers of collective memory within Chinese culture.

Dr. Hao first specialised in Traditional Chinese Medicine, traversing the wild hinterlands of Inner Mongolia and providing much needed treatment to many of China's underserved minority ethnic communities. She then became qualified in Western medicine, travelling to places as far as Poland in the development of her career before coming to call Northern Ireland home, where she opened and has run her own practice in Belfast for nearly 30 years.

Watch Ri Fang's Story

https://youtu.be/t5nuuoluLdg

Video also available on Panopto

Guard Lions > Guard Dogs

Chinese Guardian Lions

The imagery and legends of the Chinese guardian stone lions form a rich and profound subject within Chinese culture. Below is a detailed explanation covering their characteristics, historical origins, legends, cultural symbolism and traditional placement rules.

The Classic Image of the Stone Lions

Guardian stone lions usually appear in pairs, one male and one female, standing on either side of a main gate. Their form is not a realistic depiction of an actual lion but a mythical creature shaped through artistic exaggeration and symbolism.

1. Distinguishing the Male and Female Lions

Male Lion
(usually placed on the right side of the gate when viewed from inside looking out)

• Paw on an embroidered ball: Symbolises mastery of the universe, unification of the land, power and authority, as if the world is held within the palm of the hand.

• Expression: Typically majestic and fierce, with an open mouth showing its teeth.

Female Lion
(usually placed on the left side of the gate when viewed from inside looking out)

• Paw on a cub: Symbolises prosperity, descendants and the continuation of the family line, representing care and inheritance.

• Expression: Relatively gentle, with a closed or slightly open mouth.

2. Common Visual Elements

• Mane: The head is decorated with spiral, knot-like curls. According to legend, the number of curls indicates the owner’s official rank. In ancient times, the stone lions in front of a top-ranking official’s residence had thirteen curls, known as the “Thirteen Guardians”. The number decreased by one with each lower rank, and officials below the seventh rank were not permitted to have them.

• Open and closed mouths: One theory suggests this symbolises “exhaling and inhaling”, with the male lion opening its mouth to draw in wealth and good fortune, while the female lion closes hers to guard and preserve it. Another theory links this to the Buddhist Sanskrit sounds “Ah” and “Hum”, representing the beginning and end of all things.

• Neck bells and decorative tassels (yingluo): These ornate decorations enhance the lions’ sense of grandeur and sacredness.

• Squatting posture: The lions are usually shown squatting, with front legs straight and hind legs curled, giving an impression of stability, vigilance and readiness.

II. Historical Origin and Evolution

Lions are not native to China. Their image was introduced primarily through the opening of the Silk Road, arriving as exotic tribute from regions such as Persia and India.

1. Han Dynasty
   With the opening of the Silk Road, lions were brought to the Central Plains as tribute. They were known as Suanni and were regarded as one of the nine sons of the dragon, believed to enjoy smoke and fire. As a result, they were often depicted on incense burners. At this stage, their image retained a strong mythological character.

2. Tang and Song Dynasties
   The lion gradually became a more secular symbol. Stone lions began appearing in tomb carvings, such as the guardian lions at the Qianling Mausoleum of Emperor Gaozong of Tang. Their style was powerful and majestic, serving both protective functions and the display of imperial authority.

3. Yuan, Ming and Qing Dynasties
   Stone lions became widely used in front of palaces, temples, government offices and the homes of wealthy families, forming a fixed custom of “guarding the gate”. Their design became increasingly standardised, decorative and infused with auspicious symbolism.

III. Related Legends and Stories

The sacred status of stone lions is closely linked to folk legends and Buddhist influence.

1. Protective sacred beast in Buddhism
   In Buddhism, the lion is the mount of Manjushri Bodhisattva, symbolising wisdom and strength. The Buddha’s teachings are known as the “Lion’s Roar”, capable of subduing all evil spirits. Stone lions thus inherited their role as protectors and warders of evil.

2. Legends of auspicious and divine beasts

   • Some legends claim lions can foresee disasters. In regions such as Sichuan, stories tell of stone lions’ eyes turning red or bleeding before floods, warning people to take refuge.

   • The image of the lion sometimes blends with that of the Qilin, both regarded as mythical creatures that bring good fortune.

3. Folk beliefs and fertility legends
   In some traditions, stone lions are believed to grant children. Touching the cub beneath the female lion’s paw is thought to bring blessings of offspring.

4. The legend of Lu Ban
   Some stories attribute the creation of stone lions to Lu Ban, the master craftsman, who is said to have carved them to protect villages and drive away harmful creatures.

IV. Cultural Symbolism and Meaning

Guardian stone lions carry rich cultural meanings, including:

• Warding off evil and welcoming good fortune: As the king of beasts, the lion’s fierce form is believed to repel evil spirits and protect households.

• Foretelling disaster and fortune: They are seen as spiritual beings capable of sensing floods, earthquakes and other calamities.

• Displaying power and prestige: Their size, form and number of mane curls historically reflected social rank and authority.

• Artistic and architectural decoration: As finely carved sculptures, they lend solemnity and grandeur to buildings.

V. Placement Rules and Taboos

Traditional placement of stone lions follows strict conventions:

1. Always in pairs: Male on the left and female on the right, viewed from inside looking out, reflecting Yin–Yang philosophy and the principle of “male-left, female-right”.

2. Heads facing outward: The lions must face away from the building to guard against external threats. Facing inward is considered inauspicious.

3. Order of placement: The male lion should be placed first, followed by the female.

4. Resolving negative energy (Sha): In Feng Shui, stone lions are used to counter negative influences such as T-junctions, utility poles or sharp corners facing an entrance.

5. Respectful treatment: Traditionally, stone lions should not be touched casually, particularly those in front of government buildings, as they symbolise law and authority.

Modern Application

Today, stone lions have transcended their association with feudal hierarchy and become enduring symbols of Chinese culture. They guard historic sites such as the Forbidden City and temples, and also appear in front of banks, hotels and corporate headquarters, representing strength, stability, integrity and good fortune.

Conclusion

The Chinese guardian stone lion is a unique cultural creation that integrates history, art, religion and folklore. From an exotic animal introduced through trade routes to a sacred protector of homes and the nation, its image is deeply embedded in the collective memory of Chinese society.

by Michael Avila